Lew Stringer wrote:And if that many children wanted to read 50s - 70s reprints then Classics from the Comics would still be around. Also, remember The Beano ran a series of classic reprints a few years ago. Presumably they didn't sit too well with the kids or they'd have continued. There's already too little comics work around without it being cut back for reprint.
There is very little here to argue about. Thomsons will always have the dilemma of deciding which of their potential retrospective collections will sell enough to make it worth their while doing it in the first place, and one must sympathise because there are no absolute guarantees for them whatever they choose. All they really need to do is read the comments of our comics-committed members on this forum for them to realise how difficult it is to satisfy anybody, let alone enough people to enable them to make their profit. For what it is worth, my view is that their retrospectives should not be aimed at children because they would merely be curious for say the first couple of issues of any
Classics From The Comics replacement, before returning to their weekly issue of
The Beano. Thomsons should instead direct their attention towards the nostalgic adults. But then what? The Digis of this world would settle for something along the lines of
Classics From The Comics, people of my generation would prefer compilations of text stories, people thinking like Kashgar and
Colcool007 would very likely be looking at picture strip compilations from
The Victor,
Scoop,
The Hornet and the like, and then, of course, there will be ladies like helsbels, peace and Tammyfan etcetera for the company to consider as well. Any single compilation comic attempting to satisfy such disparate groups would fail like a no-hoper carrying fifteen stone trying to negotiate the first fence in the Grand National. I'd be able to hear the crunching bones and fence poles while enjoying a glass of lager and reading an issue of
The Rover in a deckchair in my back garden.
But what can Thomsons do? I'm a soft touch because I've bought such a lot of their productions, and will no doubt continue to do so. But I also believe that most of the books I have bought have been of that nostalgic type that I referred to earlier, the
Dandy and Beano compilations that seemed to emerge annually, and the
Oor Wullie and the Broons volumes likewise, not forgetting Phil Shrimpton's book of
Classic Christmas Comic Covers of
The Dandy and
The Beano from 1937 to 1969, that he published last year. And don't let us forget either the immense amount of love and sweat that went into those coffee-table histories of
The Beano and then
The Dandy that they have provided for us during the last few years. Ultimately, I think we should simply accept whatever they choose to chance their arm with, buy it, and be grateful that they are still searching for that elusive nostalgia item that will satisfy everybody without their cutting back as a consequence on any new humorous artwork either for
The Beano or their other publications.