My Comic Art Masterclass
Posted: 20 Apr 2006, 08:40
I've just had someone (from Cambridgeshire by the by) email me asking about my Comic Art Masterclass. Not, as is usually the case, how they can book me, but instead asking how they could do it themselves. The very cheek.
I replied:
The reason my Comic Art Masterclasses work is because I have worked full time for most comic publishers there are, so I can pass on the wealth of my experience and tell others how to do it. I also work as a stand up comedian, so I bring those skills to bear on my presentation.
In the three years or so I've been doing the classes, elements of it have grown and developed. When I started I was making it up as I went along, showing them my portfolio of work and responding to their "how do I draw such and such" questions. Along the way I've developed tricks and techniques on the flipchart that educate as they entertain, and have polished the routine to such an extent that a group can produce a comic in a morning which we can run off on the photocopier and they take it home with them. Plus I do their caricatures. Plus plus there's a chance their stuff will end up in The Beano (check out this week's issue, see the Hot Rod Cow strip by me? See the comics on the shelves in the back ground? All drawn by my pupils)
Frankly it's pretty darn inimitable and I wouldn't advise anyone to try. Plus plus plus I travel all round the country (this year already I've gone from Swaffham to Edinburgh, from Devon to Wales, from London to Leicester and many points inbetween) and you've just reminded me I ought to book myself a mini-tour of Cambridgeshire before someone else does.
(If anyone out there would like to learn more about my Comic Art Masterclass, or have me over to their school or college, check out the website and drop me a line. I cost the same as a supply teacher - and there's Jonathan Ross earning half a million a year for 3 hours work, I'm in the wrong business)
Kev F
http://comicfestival.co.uk
I replied:
The reason my Comic Art Masterclasses work is because I have worked full time for most comic publishers there are, so I can pass on the wealth of my experience and tell others how to do it. I also work as a stand up comedian, so I bring those skills to bear on my presentation.
In the three years or so I've been doing the classes, elements of it have grown and developed. When I started I was making it up as I went along, showing them my portfolio of work and responding to their "how do I draw such and such" questions. Along the way I've developed tricks and techniques on the flipchart that educate as they entertain, and have polished the routine to such an extent that a group can produce a comic in a morning which we can run off on the photocopier and they take it home with them. Plus I do their caricatures. Plus plus there's a chance their stuff will end up in The Beano (check out this week's issue, see the Hot Rod Cow strip by me? See the comics on the shelves in the back ground? All drawn by my pupils)
Frankly it's pretty darn inimitable and I wouldn't advise anyone to try. Plus plus plus I travel all round the country (this year already I've gone from Swaffham to Edinburgh, from Devon to Wales, from London to Leicester and many points inbetween) and you've just reminded me I ought to book myself a mini-tour of Cambridgeshire before someone else does.
(If anyone out there would like to learn more about my Comic Art Masterclass, or have me over to their school or college, check out the website and drop me a line. I cost the same as a supply teacher - and there's Jonathan Ross earning half a million a year for 3 hours work, I'm in the wrong business)
Kev F
http://comicfestival.co.uk